mythe / fascination
tout a été dit, bien évidemment.
En sommes-nous sûrs ?
Scénaristes aux abois / marketing intentionnel / dénué de l'art singulier.
Monsieur Swinton est exotique, distant, lointain dit-on.
Installons-nous, voulez-vous ?
Cinéma avorté, méandres incidentes, et très précisément - soudainement - cet instant magnifique (chapter one)
Un visage, dont nous croisons le regard, prétendument bousculés que nous sommes, musique, références, attitude, certitudes, sourires, bonjour Madame, merci Monsieur ... Un visage (chapter one).
Désirez-vous un peu de temps ? ... ... ... Écrire est délicat, en pareille situation
(Chapter two) l'urgence, de celle, prenante, peut-être, mais nous n'en sommes pas encore convaincus.
Mais pourquoi donc, pensons-nous encore à ce "Chapter one" ... au risque de compromettre la tenue formelle d'une "chronique", selon les standards attendus ...
(Chapter three) le maître-mot d'une quintessence, aussi hasardeuse, que puisse être un objet extrême de convoitise.
Pete Swinton ne le sait pas (encore) il est le plus merveilleux dandy,
un merveilleux ami, mais aussi un monstre ... Pas vous ?
thierry massard pour nocoVision / 1er oct. 2°23
Everything has been said, obviously.
Are we certain of that?
Desperate screenwriters / deliberate marketing / devoid of the singular art.
Monsieur Swinton is exotic, distant, remote, they say.
Shall we settle down, if you please? Aborted cinema, incident meanderings, and very precisely - suddenly - this fabulous moment (chapter one).
A face, whose gaze we encounter, purportedly shaking us as we are, music, references, attitude, certainties, smiles, hello Madame, thank you Monsieur ... A face (chapter one).
Do you desire some time? ... ... ... Writing is delicate in such a situation.
(Chapter two) The urgency, of that kind, perhaps captivating, but we are not yet convinced.
But why then, do we still think about this "Chapter one"... at the risk of compromising the formal conduct of a "chronicle," according to the expected standards...
(Chapter three) The key word of a quintessence, as uncertain as an extreme object of desire can be.
Pete Swinton doesn't know it (yet), he is the most wonderful dandy,
(Chapter two) The urgency, of that kind, perhaps captivating, but we are not yet convinced.
But why then, do we still think about this "Chapter one"... at the risk of compromising the formal conduct of a "chronicle," according to the expected standards...
(Chapter three) The key word of a quintessence, as uncertain as an extreme object of desire can be.
Pete Swinton doesn't know it (yet), he is the most wonderful dandy,
a wonderful friend, but also a monster ... You?