MADAME CELL is the result of the intensive and grubbing work of ig.
the accomplices are (in order of appearance in your orl system) :: Mónica De Nut - Fernando Abreu- Alvaro Iglesias
MADAME CELL is the result of improvisations - sound collisions and slides …
MADAME CELL is a pretty woman
MADAME CELL is all made of talent but in 7 distinctive parts and it is sometimes difficult to have a general point of view on this protean beauty. The beautiful "intermezzo" of :: madame cell have been all made with a piano and it is a beautiful intermezzo. As i am in, i do not understand a word of the presentation text of the release, and i should like to have the translation of these words but as always, i do not want to use those silly surrealistic translator machines.
the "fuga a 2 voce" of MADAME CELL is absolutely "impressive" … but i also have to take care on my impressive use of this word, these days. "praeludium en mi" would easily transformed you as an agreeing victim of a mantis reliogosa.
In MADAME CELL, after the "mi" is the "re", and it is a pretty good news for all those who prefer short cuts to musical theory - the only problem in that this "praeludium in re" is closing an "a emocion sempre residual" and i agree because i think it means ... essential.
⚫️ alg-a / archive. org
the accomplices are (in order of appearance in your orl system) :: Mónica De Nut - Fernando Abreu- Alvaro Iglesias
MADAME CELL is the result of improvisations - sound collisions and slides …
MADAME CELL is a pretty woman
MADAME CELL is all made of talent but in 7 distinctive parts and it is sometimes difficult to have a general point of view on this protean beauty. The beautiful "intermezzo" of :: madame cell have been all made with a piano and it is a beautiful intermezzo. As i am in, i do not understand a word of the presentation text of the release, and i should like to have the translation of these words but as always, i do not want to use those silly surrealistic translator machines.
the "fuga a 2 voce" of MADAME CELL is absolutely "impressive" … but i also have to take care on my impressive use of this word, these days. "praeludium en mi" would easily transformed you as an agreeing victim of a mantis reliogosa.
In MADAME CELL, after the "mi" is the "re", and it is a pretty good news for all those who prefer short cuts to musical theory - the only problem in that this "praeludium in re" is closing an "a emocion sempre residual" and i agree because i think it means ... essential.
⚫️ alg-a / archive. org
© thierry massard / september 2006
(restored links as far as possible)